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THE JAM
THE JAM FAN STATION:
http://launch.yahoo.com/artist/similarartists.asp?artistID=1013091&fs=1
Mods関係のホームページを運営されている方、xxx.mods.jpのドメインがCGI可で月額250円は安いです。
Rob Zombieファンサイト用のドメインもありますよ（xxx.zombie.jp）。
"In the City" CD
Album Details
Remastered 1997 reissue of their debut album from 1977. 12 tracks, including 'In The City' & 'Away From The Numbers'. A Polydor release. Standard jewel case.
"This Is the Modern World/All Mod Cons" CD
Album Details
The second & third albums from the Jam on one CD with two bonus tracks, 'News of the World' & 'Butterfly Collector'. Albums include, 'This is the Modern World' & 'All Mod Cons'. 27 tracks. 2000 release.
"All Mod Cons" CD
From Amazon.co.uk
More interested in social comment than political confrontation, the Jam breathed a sophistication that was generally lacking in the British punk movement. The young Paul Weller mixed punk anger with 1960s mod guitar to mark out the Jam from their contemporaries and deliver a set of sharply observed sketches punctuated by stabbing staccato guitar. Cynical and sneering, but never overly abrasive, the songs on All Mod Cons mainly adhere to the classic rudiments of short and sweet songwriting. Weller showcases his increasingly assured touch with the occasional wistful ballad and by reaching into the soul copybook to embellish "Down In The Tube Station At Midnight", harbingers of subsequent Jam albums. --Ben Clancy
Album Details
Remastered reissue of their third album. First released in 1978, it features 'To Be Someone (Didn't We Have A Nice Time', 'David Watts', 'Mr. Clean', 'Down In The Tube Station At Midnight', 'English Rose' and ''A' Bomb In Wardour Street'. Street'. 12 tracks.
Album Description
Digitally Remastered with Sleeve Notes for the First Time.
"Setting Sons [Bonus Tracks]" CD
Album Details
Setting Sons was originally planned as a concept album about three childhood friends who, upon meeting after some time apart, discover the different directions in which they've grown apart. This remastered Collector's Choice release also features these 9 bonus tracks - 'Strange Town', 'The Eton Rifles', 'When You're Young', 'Smithers-Jones' (Single Version), 'See-Saw', 'Going Underground', 'The Dreams Of Children', 'So Sad About Us', 'Hey Mister' and 'Start'.
"Sound Affects" CD
Album Details
Digitally remastered reissue of their fifth album. Originally released in 1980, it features the hits 'Start!', 'That's Entertainment' and 'Pretty Green'. 1997 release. Standard jewel case.
"The Gift" CD
From Amazon.co.uk
Because it features The Jam's single greatest song--"Town Called Malice"--The Gift gets bonus points right from the start. Though inconsistent at times, there's so much here to love that the album, far more than a collection of singles, transcends the sum of its parts. Soulful and funky, there's the too-short tease of lover's caress "Ghost", the intense jam on "Precious", and a classic pop nugget in "Running on the Spot". There are mis-steps here, too--"The Planners Dream Goes Wrong" goes, well, wrong, "Circus" is a multi-ring mess of influences, and the otherwise fantastic "Carnation" is almost ruined by a sloppy bridge--but substitute in other Jam singles, say "Going Underground" and "Down in the Tube Station at Midnight", and this could almost be a best of collection. --Randy Silver
Album Details
Remastered reissue of the mod icon's ambitious sixth album. 11 tracks including the hit single, 'Town Called Malice', 'Precious' and 'Ghost'. 1997 release. Standard jewel case.
"DIG THE NEW BREED" CD
"Snap!" CD
From Amazon.co.uk
Most compilations portray a state of arrested development, a band or performer driving a single idea into the ground. This one, though, does the opposite. As a songwriter, Paul Weller was never content to rest on his laurels, quickly moving from youthful gestures of defiance ("In The City", "All Around The World", "The Modern World"), to cold-eyed social reportage ("The Eton Rifles", "Town Called Malice") and more personal, more confessional modes (the incomparable "That's Entertainment"). And, all the while, he was subtly shifting his allegiances, from spiky guitar-pop--derived initially from The Who, The Kinks and The Small Faces--to soul, as exemplified by the closing tracks, "The Bitterest Pill" and "Beat Surrender", each paving the way for his subsequent work with the Style Council. By any standards, this is a remarkable achievement. --Andrew McGuire
"LIVE JAM" CD
"Extras: A Collection of Rarities" CD
From Amazon.co.uk
Compilation albums of b-sides and out-takes are notoriously hit-and-miss affairs, full of songs which have never been heard before for a good reason. Extras, however, is a treat. Released in 1992, with a sleeve-note by Oasis biographer and Paul Weller buddy Paolo Hewitt, any hint of band-wagon jumping in the light of the Gallagher's championing of Weller is immediately vanquished by the sheer quality of the opening three b-sides, which could have easily cut it as singles. Elsewhere, Weller shows where his musical allegiances lie with a series of covers of hits by everyone from The Beatles to The Small Faces to The Chi-lites, a version of Otis Redding's "Move On Up" being a highlight. Lesser moments are previously unheard songs "No One In The World" and "Hey Mister", but this is amply compensated for in a record crammed with tracks as fresh and vital as any on The Jam's studio albums. --Amber Cowan
"Direction Reaction Creation" 5 CD's
From Amazon.co.uk
The legacy of the Jam is founded on just half-a-dozen studio albums--all crammed into an incident-packed five years. Yet their impact was much, much more significant than a mere six albums would suggest. The trio's intensity was born of punk but, uniquely at the time, the Jam were willing, quite literally, to wear their musical influences on their sleeves--the Who, Tamla Motown, James Brown, the Kinks, soul, the Beatles, etc. This was heady stuff for the revisionist Year Zero that was punk.
The Jam hammered out of 1977 with punk singles like "In The City" and "The Modern World"; but soon Paul Weller was finding his own voice as a writer, with songs like "Down In The Tube Station At Midnight", "Saturday's Kids", "The Eton Rifles" and "Town Called Malice"--songs which reflected the suburbia that bred him and put Weller in line with Pete Townshend and Ray Davies as an observer par-excellence of the English scene. And like them, Weller was also capable of knocking out striking pop singles like "Going Underground", "Start!" and "Beat Surrender".
Direction Reaction Creation is a welcome 5CD box which gathers together pretty much everything the Jam ever recorded: B-sides and hard-to-get singles as well as every track from those six albums. The package also includes a strikingly designed and well-written 88-page book commemorating every release and every gig the Jam played. But the fifth disc is the real bonus: 22 unreleased tracks, including demos ("In The City", "Precious", "The Bitterest Pill"); covers ("Rain", "Dead End Street", "Stand By Me"); and alternate takes ("A Solid Bond In Your Heart", "Billy Hunt", "That's Entertainment").
The music here is a fine reflection of those frantic times a quarter of a century ago, and you can only marvel at the quality, and the quantity, of material the Jam produced--they were gigging constantly, yet still managed to churn out a string of singles and albums that lived up to Weller's high standards. Albums like Setting Sons and Sound Affects saw the Jam really coming to the boil, but sadly--with Weller's interest taking him off into folk, jazz and R&B--the band's days were already numbered. Direction Reaction Creation is, however, a fine souvenir--and one that offers positive proof that, after the Sex Pistols and Clash, the Jam were the most original band to be thrown up by the New Wave. --Patrick Humphries
Album Details
1997 6 x 12in five disc box with a whopping 117 digitally remastered tracks from 1977-1982: all the tracks from their six studio albums & every studio B-side chronologically sequenced, plus a fifth disc with 22 rarities, most of whichare previously unreleased covers, demos, alternate versions,etc. A Polydor release. The full title is 'Direction, Reaction, Creation'.
Album Description
5cd Box Set Containing 117 Digitally Remastered Tracks, 22 of which Are Previously Unreleased, Includes a 88 Page Colour Booklet.
"The Jam at the BBC [Limited Edition]" 3 CD's
From Amazon.co.uk
The Jam at the BBC captures the heyday of one of Britain's classic bands. Twenty-five years ago this year, with a snotty little ditty called "In the City", The Jam--angry young men in undersized school uniforms, featuring a singer with a seemingly permanent pair of blocked sinuses--introduced their vibrant young proletarian vitriol to the refuge-strewn streets of jubilee punk Britain. Time then, in typically silver-esque anniversary fashion, to celebrate two-and-a-half decades of Weller and co with this portable three-CD box set of rarely-heard sessions from the secretively-maintained BBC archives.
Inevitably, there are plenty of rough and ready spleen-venting Peel sessions to pick from and even if Weller does now recoil with terror at the very memory of his early, politically expressed naivety, at least he wore his "working class pride" badge--scoffing at the toffs on the memorable "Eton Rifles"--in a far more communicatory competent and less laughable manner than, say, Sham 69. And it's probably true to say that listening to their finest ever moment, "Down in the Tube Station" (the version here comes from an appearance on the much-missed "In Concert" series, broadcast in June 1978) is enough to put you off late-night takeaway curries and public transport for life. All in all, there are some 56 tracks drawn from sessions and live shows, encompassing the years 1977 to 1981 and thereby concluding with the introduction of brass, borrowed Beatles bass riffs, blue-eyed soul and ski-influenced knitwear. If the songs themselves don't jolt a few fresh memories, the info-packed booklet--interviews, photos, memorabilia--is sure to refresh every ardent Jam fan's enthusiasm. --Kevin Maidment
Album Details
Limited edition 3CD set released to celebrate the 25th anniversary of the first single and first John Peel session. 56 tracks from 1977-1981, including exclusive sessions and Radio One 'In Concert' recordings. Extensive booklet with comprehensive liner notes including new interviews, rare photos and memorabilia. Disc 3 is the bonus disc with 18 live tracks from the Rainbow Theatre, London April 12th, 1979. The first two discs are housed in a slimline double jewel case. Disc three is in a separate cardboard sleeve. And all are in a slipcase. 2002.
Album Description
Limited Edition Triple CD Set Released to Celebrate the Anniversary of the First Single and First John Peel Session. 56 Tracks from 1977-1981, Including Exclusive Sessions and Radio One 'in Concert' Recordings. Also Includes Liner Notes by Original Nme Journalist Adrian Thrills, New Interviews with Paul, Bruce and Rick Along with Rare Photos. A Great Addition to the Comprehensive Box Set of Studio Recordings, 'direction, Reaction, Creation', the Live Jam Album. Possession of These Three Will Cover 98 Per Cent of all Recordings for Fans.
"Beat Surrender" CD
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Album Details
Budget price collection from Spectrum. 14 tracks. 1993.
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